![]() ![]() Four Tet’s album Rounds was one of my favorites the year it came out, back in 2003. I came to this two-song release as someone who had never fully gotten the intense enthusiasm that Burial has earned (numerous album-of-the-year awards for his self-titled debut, for example), and as someone who heard in a good half of Four Tet’s substantial output something approaching serious goodness, if not outright greatness. Directly below are three such representations via, from left to right, which made the requisite Spinal Tap joke, which described the release as “a black sleeve and pressed onto a slab of 12″ vinyl with a black label” and, which ignores the package and fairly thoroughly describes the music in its write-up. PPS: Given the willful opaqueness of the “Moth”/”Wolf Cub” 12″ - it comes on black vinyl in a black sleeve - I looked around for how it was being visually represented. When she is able to get over herself, she can be found organizing large productions, most recently including the 24th annual World Jewish Music Festival.Īnd for anyone reading this after May 19, for the first day the tracks below were mis-titled. Lauren Giniger is possessed by a deadly sense of the absurd and so is often paralyzed when composing her biography. He works for a company that develops software and hardware IP used in multimedia devices. Earlier, he played jazz saxophone and blues harp until realizing he would always pale in comparison to Sonny Rollins and Little Walter. Robert Gable is a listener and musical enthusiast who has been blogging at aworks about “new” American classical music since 2003. ![]() For the next few days, several people whose reflections on music - whose enthusiasm and insight - I admire have signed on to do in public what I, for one, have been doing in private for a week-plus now: playing over and over, as well as pondering, the recent two-song 12″ by Burial and Four Tet, a pair of songs (“Moth,” “Wolf Cub”), released on the Text Records label earlier this month. ![]()
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